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MUSIC REVIEW

Review: Sarah Mary Chadwick, ‘Roses Always Die’

As an art form, song is largely decorative. Oh sure, there's substance – loads! – but it’s only when you spend an album with Sarah Mary Chadwick that you realise how much emphasis most artists place on bells and whistles. One nasty old pre-set church organ and its built-in robot rhythm-ticker are the only things the Melbourne songwriter needs to colour the…
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Review: Montaigne, ‘Glorious Heights’

“I ate a salad today, I ate one yesterday, too.” You’d have to be a rare vocal talent to make those words come alive, and  Sydney’s Montaigne (real name: Jessica Cerro) has a voice that simply soars. Her debut album is aptly titled, with the singer delivering thrilling electro pop infused with genuine soul. She’s…
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Review: The Brave, ‘Epoch’

Something new from an old friend you’ve never met before. I googled Epoch, I’ll admit it (and save you the time of doing it yourself). It means a defining moment in a person’s life or a significant mark in history. Fitting, right? Brisbane hardcore cats The Brave hope to achieve exactly that with their debut…
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Review: Alex Lloyd, ‘Acoustica’

It’s beautiful, but do we really need another cover of Leonard Cohen’s Hallelujah? That’s the only misfire on Alex Lloyd’s new album, which heralds the return of Liberation’s acoustic series.  Lloyd is a quality songwriter and his tracks shine in this strippedback format. Opening with an intricate but intimate version of Amazing, he has reinvented his hits with clever arrangements – check out the Beatlesque strings in…
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